However, it’s the covers from Scott McKowen which are truly stunning. Adam Kubert’s pencils give the comic a rough look, like an etching that has aged over the years. It pretty much does exactly what it says on the tin, transposing the modern day Marvel Universe to 1602. Writer Neil Gaiman, however, crafted an especially interesting alternative to mainstream Marvel with 1602. Marvel Noir offers us the Marvel Universe as seen through a smokey glass-half-empty lens, with tales of Daredevil, X-Men and Spider-Man changed to fit in this strange new setting. Tales spin-off in so many different directions that these stories become viable alternative versions of the Marvel Universe, just with a variation upon a theme. Even discounting the Ultimate line, Marvel has produced any number of alternative continuity worlds within the past decade or so – not stories or chapters, but worlds. After spending the tail end of last year looking at the tangled inter-continuity crossovers at Marvel, I thought I’d spend January looking at some of the looser “out of continuity” tales at the major companies.Īlthough DC invented the term “elseworlds” to describe alternative continuities featuring familiar characters in unfamiliar settings, it was really Marvel who ran with it.
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